Saturday, October 31
Friday, January 13
Borg of God
One wonders, and one hopes.
One goes along, while one nods to all. ¶
One is all. One is something.
One isn't enough, though. ¶
It's us mimicking us, >
a glimmer of what passed eye to eye, person to person, passing away to nothing.¶
One, it only mirrors our insect reflection…¶
The Borg of God™ is created from the oneness of our overreaching insect image. ¶
http://pullofthesun.wordpress.com/
Wednesday, June 8
Weiner gives love a bad name
In Washington DC -- a place we all pretend is part of the United States -- another guy with an unfortunate name has proven that our elected officials should be treated like middle school students on a field trip.
If we elect them and if we pay them, we should treat them like capable children who need supervision and guidance.
Tuesday, April 12
Nose to Toes
can't see passed her
nose tip,
unless it's to her own
toe dip.
Petty pedi-
cure, and
manipulative mani-
cure,
take hours ...
don't you know?
History is mystery
when you can't pick
Captain Cook
from Captain Hook
or Dustin Hoffman
in a line up.
What Greek and Roman
mythology?
Weren't those busted
on that TV show?
Future is hair did,
monthly, and
new chances to tell
work stories
breathlessly.
Past is never seen again
in its original form,
just reshaped by her
constantly changing
delusions of self
in comparison to
the world revolving
around her.
Monday, February 21
New Form of Writing Discovered
While "chillin'" on his livingroom floor with his two adult cats, both still live at home, K. Shawn Edgar discovered that complete sentences can be broken up and purposefully placed on seperate lines to create a "poetic" feel. He hopes this segmentation will induce an emotional reaction in the reader. Examples of this bizarre new form of written language can be found on Edgar's "blog", short for Weblogue: Pull of the Sun.
Wednesday, February 9
Discovered: Great Circle of Life
Born poor in a trailer
Die poor in a trailer
Thursday, September 27
FOX 'News' Babbles Without Reason
Thursday, April 19
Storyteller Profile: Claudia Osorio
Published: Thursday, April 12, 2007
By K. Shawn Edgar
In order to hear her father, Raul, tell a story about the man pictured on its label, Claudia Osorio was willing to swallow cod-liver oil. She says her father knows "the persuasive super powers of a new tale," and how they can transform "true life into never-ending fables."
Raul was "The Storyteller" when Osorio was a child in their large, boisterous yet happy family. As a teenager she began making money telling stories, and Osorio's father encouraged her to pursue the art he loved. Now she is a persuasive and imaginative teller of stories in her own right. Influenced deeply by her father's tale of "John Scott the brave Basque fisherman" she went on to earn a degree in dramatic literature and theater from a university in Mexico City.
But it was the mixed-bag of talented people in her family -- ranging from cooks and singers, to teachers, doctors and pianists -- who helped her achieve a career in professional storytelling. Along the way her grandmother gave Osorio, who was trying to gain greater attention from an audience, a key piece of advice, "Stand tall so they can see you; speak loud so they can hear you; and be brief so they applaud you."
Growing up in the villages near Cuernavaca, Mexico exposed Osorio to a strong oral tradition and to the natural flowering beauty of a place known as The City of Eternal Spring. The beauty and the resonant voices have remained with her, informing the tales she tells. "It was a magical place full of artists," said Osorio. "Just like Ashland [Oregon], I can totally relate to the theater people. We're like the same people."
Osorio's performances combine puppetry -- inspired by European and Canadian puppeteers on tour in Mexico City; who made their puppets come to life from ping-pong balls -- and improvisation, which she brought forward from her time as an actress, to create magically unique styles and meanings.
She explains that if an audience knows you, they have probably heard your stories. The challenge then is adding surprises, and letting each story live and grow in a way that even the oldest and dearest friend will not expect. This is the essence of spring.
Communication is the prime incentive. It keeps Osorio coming back to professional telling, again and again. That and humor are most important to her. Most of her stories are told in Spanish. So how does she capture non-Hispanic audience members? She has found a persuasive super power of her own: Her stories can cross the language barrier.
"Sometimes I see people coming in the back; they don't speak Spanish," Osorio explained. "They start coming to the front, but acting like they are not interested. So I try to catch their attention. Not translate for them, just catch their attention, like throwing in a handkerchief to make them part of the action. When they get engaged, we don't need to speak the same language. We connect without words."
